Essay on the Theme of Escape in The Glass Menagerie -- Glass Menagerie

The Theme of Escape in The Glass Menagerie  The Glass Menagerie, a play by Tennessee Williams, is set in the condo of the Wingfield family, lodging Amanda Wingfield and her two youngsters Tom and Laura. The dad left numerous years back, and is just spoken to by an image on the lounge divider. The little, dirty condo makes a urgent, dull inclination in the peruser. None of the Wingfields wants to remain in the condo, yet their absence of accounts makes it difficult to move. Departure from this dreary and frantic life is the fundamental topic all through the play. The various characters in 'The Glass Menagerie' have their own individual methods of getting away from their real factors. Tom Wingfield, the principle character and storyteller, likely has the one that most plainly identifies with what we as a rule call getting away. His fantasy is to escape from the whole spot in which he is right now living. He is burnt out on providing his mom and sister without receiving anything besides regret consequently. Right off the bat in the play we can see this desire to escape through his regular visits to the cinema. To him the motion pictures fill in as windows into a different universe, a leaving world loaded up with fun and difficulties. Something else that it merits referencing when talking about this is Amanda's mentality towards the motion pictures. She feels that he invests a lot of energy in the motion pictures, and she continues frequenting him for it. I accept this should tell the peruser that Amanda has an inclination that Tom at some point will follow in his dads strides, and that she is attempting to keep this from occurring. For Amanda this is an extremely normal response; with Tom out of the loft there would be nothing left for her and her little girl to take care of from.... ...ot a method of taking care of your issues, and that genuine opportunity just can be found through going up against your issues, not by fleeing from them. Works Cited and Consulted: Blossom, Harold. Presentation. Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 1-8. Lord, Thomas L. Incongruity and Distance in The Glass Menagerie. In Tennessee Williams. Ed. Harold Bloom. New York: Chelsea House, 1987. 85-94. Duty, Eric P. 'Through Soundproof Glass': The Prison of Self Consciousness in The Glass Menagerie. Modern Drama, 36. December 1993. 529-537. Thompson, Judith J. Tennessee Williams' Plays: Memory, Myth, and Symbol. New York: Peter Lang, 1989. Williams, Tennessee. The Glass Menagerie. In Literature: An Introduction to Reading and Writing, fourth ed. Ed. Edgar V. Roberts and Henry E. Jacobs. Englewood Cliffs, NJ: Prentice Hall, 1995. 1519-1568.